![]() (Then I realize that if I know to hover my mouse on the teeny titling in the lower left, and wait patiently, staring intently at the screen, the word "overture" will eventually crawl by.) The soloists are also listed in a crawl running across the bottom left of the page in the "artist" field. So what is Spotify giving me? Ah, yes, the overture. The full opera runs about three and a half hours in total. The track Spotify suggests to me is 4 minutes, 17 seconds long. I get hundreds of results back, but Spotify recommends that I start with the one in which the artist field begins with "Donato Di Stefano." ![]() I decide to duck the matter of language in the title - the original, Italian Le Nozze di Figaro versus its English equivalent - by typing just "Mozart" and "Figaro" into the search bar. First, I try to look for Mozart's classic operatic comedy The Marriage of Figaro on Spotify. To this end, I try a little experiment, searching for some specific pieces of classical music on some of the most popular streaming services. In this example, who would be listed as the artist? (Bernstein? Beethoven? The 100-plus players in the New York Philharmonic? Arroyo et al? The Juilliard Chorus or its conductor?) And as soon as some individual plugs in one of those names in the "artist" field as the sole piece of metadata in that category, then the other pieces of information are all too often essentially lost - and won't come up in searches. The performance also includes the Juilliard Chorus, directed by Abraham Kaplan. There are also four vocal soloists on that recording - soprano Martina Arroyo, mezzo-soprano Regina Sarfaty, tenor Nicholas di Virgilio and bass Norman Scott. Well, Bernstein recorded this symphony three different times - with the New York Philharmonic, the Vienna Philharmonic and also at a historic performance in 1989 in Berlin shortly after the fall of the Berlin Wall, with members of four different orchestras (the London Symphony Orchestra, the New York Philharmonic, the Kirov Orchestra from then-Leningrad and the Orchestre de Paris).īut let's keep our hypothetical more simple, and assume that we're looking for Bernstein's recording of the Beethoven Ninth with the New York Philharmonic. Say I want to hear Leonard Bernstein conducting Beethoven's Symphony No. Those are the three pieces of metadata that consumers can see or use as search parameters, and even deciding who might qualify as the "artist" isn't clear, to use one example. Let's take one pretty "easy" case as just one example of a common metadata conundrum, based on the artist/song/album paradigm that governs most streaming sites and online stores.
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